Essential Tracks: "Black Nile" ' Album "Night Dreamer", Wayne Shorter, 1964

Essential tracks highlights tracks that arguably should be found somewhere in any serious jazz collector's library. This segment is also meant to inspire readers to seek out foundational tracks from the various sub-genres of this great music.

"Black Nile" from the 1964 Blue Note release - "Night Dreamer"

Shorter had been on the jazz scene for quite a while before this debut album on Blue Note. He spent quite a bit of time in Art Blakey's Jazz Messengers, Lee Morgan and Miles Davis before Alfred Lyons opted to sign him to his own record deal.

The personnel on this album is a star-studded list for future legends. McCoy Tyner is on piano, Lee Morgan on trumpet, Reggie Workman on bass, and Elvin Jones on drums. On "Black Nile", everyone gets to stretch and jam out; typical of sessions of time. Despite it's age, this one will be easy to find online, and should also be available on CD. A worthy foundational selection.

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Jazz 500 - An Overdue Personal Project

Hello again. First, I must apologize for being away for so long. I wish I had more of an excuse to give you, but the fact is, sometimes life just gets in the way. In any case, I’m back just in time for the heart of the festival season. Next up for me is the Monterey Jazz Festival in September. We have our tickets in hand, and can’t wait for this, the 61st edition, of the longest continuously running jazz festival in the world. In the meantime, if you’ve followed my Instagram feed in the past, you may have noticed quite a bit more activity than normal. I usually post images live from the festival, and hope to be doing that again this year. In addition, I’ve started a series I’m referring to as Jazz 500 (#jazz500). My Jazz Photojournalism adventure began in 1995. A year later, I covered my first Monterey Jazz Festival. Since then, I’ve covered it every year except 1997 and 1998. As you can imagine, after 20 years of photographing some of the greatest legends of the musi

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The afternoon "Conversation" segments of the Monterey Jazz Festival are a hidden gem in the festival's weekend program. The audience takes a rare, personal look at an artist as they reflect on various aspects and moments of their storied careers. This image was captured in one of those sessions with Nancy Wilson. Later that evening, Ms. Wilson would take the stage for the first time since the passing of her husband of 35 years, just weeks prior. She noted that how performing would be very different now. "Whenever U was onstage," she explained, "...no matter where I was in the world, I was always singing to him." She went on to say her signature song "Guess Who I Saw Today" had absolutely nothing to do with the Reverend Wiley Burton. All ticket options for the 2013 Monterey Jazz Festival are available now. Choose from single day grounds tickets to full weekend subscription packages for the Arena concerts. Go to the Monterey Jazz Fe

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Charnett Moffett has had a connection to the elite artists in jazz for a very long time. His father, Charles, was a drummer for Ornette Coleman in the 1960s, so he's more than accustomed to being around the legends of jazz. This year, Saturday evening's performances on the Garden Stage featured the artists of the Moté ma Records label. Moffett's fourth CD on Moté ma , Spirit of Sound, was released on July 9th. Together with label founder Jana Herzen, Moffett hosted a showcase of Moté ma artists, and anchored many of the ensembles on bass.

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