Skip to main content

2007 Monterey Jazz Festival - Terrence Blanchard, A Tale of God's Will

Saturday evening's feature piece on the Jimmy Lyons Stage was the appearance of the Terrence Blanchard Quintet with the Monterey Jazz Festival Chamber Orchestra. Blanchard had just completed his year as the festival's Artist-in-residence. A month before, his CD "A Tale of God's Will - A Requiem for Katrina", was released to critical acclaim. The music of that CD was an extension of the soundtrack he had written for Spike Lee's documentary "When The Levees Broke". A New Orleans native, the work also carried deep personal significance for Blanchard.

Many had heard elements of this music as the backdrop for the documentary. In this West Coast Premiere performance, the majestic presence of the compositions was both deeply moving and emotional without being dreary or sad. To hear Terrence's background on the titles of the pieces completed the picture he was painting musically. The picture was vivid enough to prompt the comment, "I had no idea", from more than a few in attendance.

There is always one performance that is the talk of the festival each year. This performance was the center of conversation for both the 2007 and 2008 festivals.

Comments

Popular posts from this blog

66th Monterey Jazz Festival - Part 2, New Discoveries

Festivals offer the opportunity to see a variety of artists, within a short period of time, and frequently at the same venue. The Monterey Jazz Festival is one of that presents a well crafted mix ranging from established legends of the music to local fan favorites. Each year I especially look forward to hearing emerging artists that have either been part of groups or recordings from headliners and legends, composing and producing for other artists, part of a collective of artists involved with a variety of collaborations, or, stepping out on their own as a leader. The artist list for the 66th Monterey Jazz Festival is filled with artists I'm very familiar with and plan to hear their latest work. It also contains quite a few I've either heard on other artist's recordings, read about a number of times, heard their current recordings, or are just plain curious about. I know the pattern well. These artists that are less familiar to the festival audience at large frequently find...

66th Monterey Jazz Festival - The Tradition Continues - Part 1

Closing Out The Summer, and Festival Season Opening Friday, September 22nd, the Monterey Jazz Festival continues its run Herbie Hancock as the longest continuously-running jazz festival in the world. After two years of adjustments coming out of the pandemic, the three-day festival has hit its stride without having to make many major adjustments. The richness of the performance schedule and variety of artist is unchanged, and unparalleled. The tradition of presenting the established and recognized legends, the up and coming rising stars, and the stars to be, remains a key focus.   As to be expected, over the lifespan of a legacy as great as Monterey, evolution is inevitable and necessary to remain viable.  Festival organizers world wide have had to make adjustments in this post-pandemic era. The Monterey Jazz Festival organizers are no exception. Safety concerns for the attendees following the reopening of live venues made it necessary to close down the Night Club and Dizzy’s ...

Essential Tracks: "Phase Dance", Album: "Pat Metheny Group" - Pat Metheny

Essential tracks highlights tracks that arguably should be found somewhere in any serious jazz collector's library. This segment is also meant to inspire readers to seek out foundational tracks from the various sub-genres of this great music. "Phase Dance", ECM Records release "Pat Metheny Group", 1978 This track quietly catapulted Pat Metheny from a relative unknown to a profound presence on the jazz scene. Forget about "rising star"; he pretty much bypassed that whole period. At the time of a lot of emerging rock-flavored jazz releases, Metheny's new band split right between straight-ahead and fusion. This was a completely new and distinctive sound. First of all, it's a seven minute track. It starts out gently, quickly comes to a simmer, and before you know it, they're cooking at a rapid boil pace. I remember first hearing it in a Berkeley, CA record (yes, record) store. It crept up on me and a dozen other people in the store at th...