2001 Monterey Jazz Festival - Herbie Hancock, New Directions

In 2001, both Miles Davis and John Coltrane would have celebrated their 75th birthday. With that in mind, Herbie Hancock went on tour with a quintet modeled after his V.S.O.P. bands of the '70s and '80s and the Tribute to Miles band of the '90s, which in turn were modeled after the 1965-1968 Miles Davis Quintet. That band consisted of Michael Brecker, Roy Hargrove, John Patitucci, and Brian Blade.

The simple path would have been to simply play a montage of the famous standards produced by those two giants. Hancock doesn't do simple. Herbie is about innovating and creating. With this collection of artists, not even new arrangements would do. Completely updated versions were called for. In what was only the second live performance by this band what the opening night audience experienced was one of those truly unforgettable "Monterey Moments". The haunting tempo of "Impressions" overlayed with the modal chord progression of "So What' was a stunning example of one of those dramatic reconstructions. Brecker's solo version of Coltrane's classic "Naima" is still the talk of the festival faithful.

This performance alone was the high point that year for many in attendance. To quote one 25+ year festival veteran, "I feel privileged just to have been here".

Comments

Essential Tracks: "African Skies", Album: "Tales From The Hudson", Michael Brecker, 1996

Essential tracks highlights tracks that arguably should be found somewhere in any serious jazz collector's library. This segment is also meant to inspire readers to seek out foundational tracks from the various sub-genres of this great music. "African Skies" from the Impulse Record release "Tales from the Hudson", 1996 You'd be hard pressed to find a track from Michael Brecker that wouldn't be considered an essential track. This release came after a year hiatus in recordings from Brecker, and was the beginning of a phenomenal run of outstanding recordings. Already an established, though probably under-appreciated giant of the saxophone, this released caused the jazz world to collectively take notice. Personnel on "African Skies" besides Brecker: Pat Metheny on guitar, Jack DeJohnette on drums, Dave Holland on bass, MyCoy Tyner on piano, and Don Alias on percussion. #Jazz

Jazz 500 - An Overdue Personal Project

Hello again. First, I must apologize for being away for so long. I wish I had more of an excuse to give you, but the fact is, sometimes life just gets in the way. In any case, I’m back just in time for the heart of the festival season. Next up for me is the Monterey Jazz Festival in September. We have our tickets in hand, and can’t wait for this, the 61st edition, of the longest continuously running jazz festival in the world. In the meantime, if you’ve followed my Instagram feed in the past, you may have noticed quite a bit more activity than normal. I usually post images live from the festival, and hope to be doing that again this year. In addition, I’ve started a series I’m referring to as Jazz 500 (#jazz500). My Jazz Photojournalism adventure began in 1995. A year later, I covered my first Monterey Jazz Festival. Since then, I’ve covered it every year except 1997 and 1998. As you can imagine, after 20 years of photographing some of the greatest legends of the musi

66th Monterey Jazz Festival - Part 2, New Discoveries

Festivals offer the opportunity to see a variety of artists, within a short period of time, and frequently at the same venue. The Monterey Jazz Festival is one of that presents a well crafted mix ranging from established legends of the music to local fan favorites. Each year I especially look forward to hearing emerging artists that have either been part of groups or recordings from headliners and legends, composing and producing for other artists, part of a collective of artists involved with a variety of collaborations, or, stepping out on their own as a leader. The artist list for the 66th Monterey Jazz Festival is filled with artists I'm very familiar with and plan to hear their latest work. It also contains quite a few I've either heard on other artist's recordings, read about a number of times, heard their current recordings, or are just plain curious about. I know the pattern well. These artists that are less familiar to the festival audience at large frequently find

Jazz Currents

Search This Blog